The container the recorder wroteFormats of their own are what recorders write into, and most players simply refuse them. Re-encode the file, or hold a camera up to a monitor, and pixels shift, timing shifts, frame references shift too. So the native file comes off, and alongside it goes a copy that will open anywhere.
The clock on the recorderThe clock decides more claims than anything else on a disk. Clocks drift. Somebody types one in wrong on installation day. British Summer Time comes round and nobody adjusts anything. A stamp saying 02:10 is no proof that anything took place at 02:10. So at acquisition the offset is measured against a reference, and that figure appears in the report.
Continuity written downAn exhibit reference. Both hash values, at the start and at the finish. A date against every handover on the record. Notes put down while the work was under way. And an exhibit reference of its own for anything produced from the master.
What could not be readAn adjuster gets nothing from a report that steps round the gaps. Once material has been overwritten it does not come back; encrypted material with no key is the same; and where the unit recorded nothing, nothing exists to produce. Which of those it is gets stated, and pictures that come back without their timings are marked as such.